Hello! We are Arthur Anderson and Gabe Hrynick, faculty at the University of New England and University of New Brunswick, respectively. Much of our fieldwork together is in far Down East, Maine on Cobscook Bay in Washington County. We’ve been lucky enough to make a few visits to the Peabody over the last few years to get an understanding of the collections housed there from this area. Now we’re excited to be back for an extended visit to explore these collections further! The Peabody’s collections are particularly important to our research because in many cases they may be all that’s left of sites that have eroded due to rising sea levels and increased storm magnitude.
The Peabody collections from Cobscook Bay are almost all the product of the Northeastern Archaeological Survey from the late 1940s to the middle 1950s. The project was initially led by Robert Dyson, future director of the Penn Museum, but effectively taken over by Theodore Stoddard, the most consistent member of the crew over those years. In addition to NAS members from the Peabody, Stoddard worked closely with avocational archaeologists in the area. The most prominent of these was Isaac W. Kingsbury, a Hartford internist who summered in Perry, Maine and seems to have been a local point of contact for the survey crew, and even occasionally published his findings in the Bulletin of the Massachusetts Archaeological Society. One of the most interesting aspects of our research in the Peabody Collections has been reconstructing the work undertaken during those years largely from charming and expansive correspondence between Kingsbury and Stoddard to better understand the context of their records and collections. It’s also a lot of fun to read their accounts of the joys and challenges of working in an area that we love. We can commiserate with their complaints of construction on US Route 1 almost every summer and the barrage of mosquitoes and black flies. We certainly identify with ‘day book’ entries recounting their discussions of the latest archaeological publications on the long drive there. Unfortunately, Frank’s Restaurant in Freeport is long gone, so we can’t comment on their lunch recommendations.
Arthur hard at work at Reversing Falls, ME
Reversing Falls isn’t a bad lunch spot
In addition to better understanding the NAS collections, we’ve been looking for some very specific artifacts within it. Our current project, funded by the Social Science and Humanities Research Council of Canada, focuses on the very earliest period of European interaction with Maine and the Maritime Provinces. This is often referred to as the Protohistoric period. By examining old collections for things like glass trade beads, early iron axes and fragments of copper kettle that we have much more context for and information about than they did in the middle of the 20th century, we hope that we can better understand the period and potentially re-locate sites we know to have Protohistoric components thanks to the Peabody collections.
In September 2018, Catherine Hunter, Research Associate, presented a paper to the 2018 Symposium of the Textile Society of America (TSA). The symposium was an opportunity to publish a portion of the Native American basketry collection at the Peabody Institute. Held in Vancouver, BC, the symposium was a dynamic event with over 400 participants and Catherine was one of 120 individuals presenting their research.
The Peabody Institute is pleased to share our latest acquisition, a piece of pottery made by Dominique and Maxine Toya, Pueblo of Jemez. Dominique and her mom Maxine have had a long relationship with the Peabody, first visiting campus in 2014 to share their work in the world of Native American art. Since then they have visited campus in 2015, 2016, and 2017, and plan on returning in fall 2019 to conduct a week-long seminar with students in Thayer Zaeder’s studio pottery classes. We have been lucky to work with Mia Toya, Dominique’s sister, and friend Nancy Youngblood from Santa Clara Pueblo.
Dominique is a 5th generation potter, who combines traditional forms, materials, and methods with exciting innovations in decoration and design. We have two of Dominique’s melon swirl vessels with micaceous slip, courtesy of Marshall Cloyd (PA Class of 1958). Dominique has won numerous awards, including Best of Classification at the Heard Indian Market (2008); Best of Classification at the Gallup Inter-Tribal Ceremonial (2009), Best of Show at the Eiteljorg Indian market in Indianapolis in for a collaboration with Jody Naranjo (2010); and numerous distinctions at the Santa Fe Indian Market; Dominque is currently vice chair of the Southwestern Association for Indian Arts, host of the annual Santa Fe Indian Market. Maxine is a talented artist and educator as well, specializing in hand-painted figurines. She studied with Allan Houser at the Institute of American Indian Arts in Santa Fe.
Dominique and Maxine have recently begun to combine their talents, with Dominique contributing her beautiful vessels and Maxine painting them with human and animal figures. This piece, like all of their creations, is made from local New Mexican materials, hand decorated and polished, and open fired.
The Toya pottery collaboration is thanks to a generous gift from Barbara and Les Callahan (PA Class of 1968). Many thanks Barb and Les for this beautiful addition to our collection!