Born of Fire

Contributed by Barbara Callahan*

To the uninformed, the Peabody Institute of Archaeology is just a building on  the Phillips Academy campus that houses old artifacts and sherds of pottery from long ago archaeological expeditions. They would be very mistaken! The Peabody provides incredible academic enrichment opportunities to the student body across all disciplines.

In a unique approach to education, the Peabody collections are used to demonstrate the practical applications of history, language, mathematics, science and sociology.  This year celebrates the fifth year the Peabody has arranged for pottery artists from the Pueblo of Jemez to come to campus to work with students.

In collaboration with Thayer Zaeder’s ceramics classes the potters spent the week working with 48 students teaching the ancient techniques of transforming clay into pottery. I had the rare opportunity to not only observe these artists work with the students, but to actually work with them myself. Maxine, Dominique and Mia worked with students individually on both shape and decorative painting to create unique pieces of art.

Image of Pueblo potters Dominique and Mia Toya working with a high school student.
Dominique Toya (left) and Mia Toya (right) work with a student.

Glazing is not used in Pueblo pottery. Any glossy surfaces are achieved by polishing the area with smooth stones. The process is delicate and time consuming and if you mess up, as one student found out, the Potters would show you how to fix the problem – sand it all off and start again!

Image of Pueblo potter Maxine Toya showing a student how to polish a red slipped pot.
Maxine Toya demonstrates how to polish the red slip.

Dominique, Mia and their mother, Maxine Toya come from a multi-generational family tradition of Pueblo Potters. Each is known for their unique style, Dominique for her mellon designs, Mia for her signature butterfly designs and Maxine for her animals and figures. Their work is highly collectible and sought after. Nancy Youngblood, another prominent Pueblo potter, has joined them the last three years. These four ladies are the “Super Stars” in the Native American world of ceramic art.

When speaking with the Potters, one theme stood out. They love bringing the ancient methods to this generation to instill a knowledge of their culture and heritage. They each spoke of how polite the Andover students were as well as the appreciation shown to them by each student for the opportunity to learn this ancient art form.

Image of pottery firing.
Students look on as Dominique tends the fire.

The culmination of each of their visits is the “firing.” They still use the ancient method of firing the pottery outdoors, which usually draws a large crowd. A huge bonfire is built to bake all the pieces the classes have created. The end result brings pride and a sense of accomplishment to both students and teachers alike.

Image of Pueblo potters with ceramics instructor and blog author.
From left to right: Maxine Toya, Thayer Zaeder, Mia Toya, Ward Weppa, Barbara Callahan, and Dominique Toya.
Image of soot covered vessels post firing.
Vessels as they emerge from the fire.

*Guest contributor Barbara Callahan is Secretary of the Peabody Advisory Committee. She and her husband Les Callahan (Phillips Academy Class of 1968) provided the generous support for the Pueblo Potters program in 2017 and 2018.

An Evening with Pueblo Potters

Please join us for a special evening with award-winning Pueblo potters Dominique Toya, Maxine Toya, Nancy Youngblood, and Joseph Youngblood Lugo.

collage of Pueblo potters, from left to right: Dominique Toya, Nancy Youngblood, pottery firing 2015, and Maxine Toya

Learn about contemporary Pueblo pottery making with these gifted artists while they visit Andover to work with Thayer Zaeder’s studio pottery classes. Dominique and Nancy have collaborated to create pieces that meld their unique approaches to traditional pottery construction, bringing together swirl melon bowls, glistening micaceous slips, carved designs, and blackware firing techniques. Maxine makes delightful figurines that draw on deep Pueblo traditions. Joseph Youngblood Lugo continues the Santa Clara tradition of carved blackware pottery, adding contemporary themes and motifs. These artists are passionate about their work and will share how they have melded traditional and innovative materials and methods to create contemporary works of art.

7-9pm, Wednesday, May 25, 2016
Hors d’oeuvres, beer, and wine
$20.00 per person

Please RSVP – contact Crystal McGuire – Office of Alumni Engagement at cmcguire@andover.edu or 978-749-4282

Peabody Strengthening Relationship with Pueblo of Jemez

Contributed by Lindsay Randall

The Peabody Museum has begun the collaborative process of reexamining our relationship with the Pueblo of Jemez. The Peabody’s involvement with the Jemez dates back 100 years—to the period from 1915 through 1929 when Alfred V. Kidder and his colleagues conducted excavations and ethnographic studies of the Pecos and Jemez pueblos. Consultations under the Native American Graves Protection and Repatriation Act (NAGPRA) in the 1990s rekindled the relationship and launched the Pecos Pathways expeditionary learning program at Phillips Academy. Pecos Pathways has been the centerpiece of the Andover-Jemez relationship since 1998, but we’ve seen a host of other collaborative efforts since then, including the recent visits by potters Dominique and Maxine Toya and their friends.

10336852_10154112165645034_6780009494536355039_n

Dominique Toya works with PA students in Mr. S. Thayer Zaeder’s ceramics class.

The goal of this critical assessment is to ensure that the partnership is maintained in a coherent and consistent manner, despite the changing needs and desires of the partners through time. We want to focus on sustaining and growing the relationship and enhancing its impact through the exchange of knowledge, resources, and individuals from each community. Initially we are working with the Education Department at Jemez, but we will expand the conversations to include other members of the tribe, such as those in the Department of Natural Resources who oversee all tribal archaeological work.

We recently began conversations with Janice Tosa, research associate and student program outreach manager for Jemez Pueblo, and Leander Loretto, student outreach coordinator for Jemez Pueblo, about how we might modify and expand our joint educational offering. A main focus in the conversations has been on creating programming that supports and advances our learning objectives in a more tangible manner, while also being sustainable. Looking at unique and creative ways in which adult members of each community can be engaged and utilized is another area that we are exploring.

We look forward to working with our friends at Jemez Pueblo on this exciting project!

Above Clockwise: Janice Tosa shows off her love of the Boston Red Sox’s; Leander Loretto screens for artifacts on the Mashentucket Pequot Reservation; A Pecos Pathways group prepares to hike up San Diego Mesa.