On Thursday, February 21 we will be hosting our Family Fun with Archaeology event. This free event will have activities such as building Lego models of ancient ruins, playing Native American musical instruments, making a clay pot, and more.
Since we have run the program a few times, I have been thinking of ways that we might add new activities for kids and adults to do together.
One of the new interactive activities for families is creating a fishing net. Fishing has played a vital role in New England’s history, from the First People to today. Ancient nets were made of various plant fibers and used in a variety of ways to catch fish in rivers.
While talking with Ellen Berkland, archaeologist for the Department of Recreation and Conservation, about an archaeology event at Maudsley State Park in Newburyport, MA that she hosted in October, she mentioned that she had included net making. I was instantly intrigued!
After talking with Ellen and googling “net making,” as well as watching a few YouTube videos, I settled on using the simple overhand knot to make the net. I also decided to use different color strings to help make it easier for people to see what strings they are working with.
Here is my attempt at making a net – I think it looks pretty good for a first time!
If you want to try your hand at this or other crafts, come to the Peabody next month!
In July, I once again partnered with Dr. Bethany Jay of Salem State University to teach the graduate class for history teachers that focuses on using archaeology in the classroom to teach about marginalized individuals, who are often overlooked.
Since it is now our fifth year running this class, it is always exciting when we get to experience something new ourselves. This year we added a tour of the Gedney House in Salem to our listing of sites we were visiting. One of the students in the class, Tom, is a tour guide for the Gedney House and took us all around the historic house – we even got to go into the creepy basement!
The house has gone through a lot of iterations throughout its history and they have left their marks on the building. Starting first as a single family home, for shipwright Eleazer Gedney, major renovations to the façade were added in the eighteenth and nineteenth centuries. Later it became a tenement in Salem’s Italian-American neighborhood.
What makes the house so interesting to history lovers (and archaeologists!) is that the house was originally set for total rehab in the 1960s and so the inside was completely gutted. That means that you can now see the original structure as well as the evidence for later renovations. It really sets the house apart from other first period houses located in New England. Dr. Abbott Lowell Cummings, a prominent architectural historian, once said that the “Gedney House in Salem, Massachusetts is the example par excellence which must be protected under a glass bell jar” due to the scholarly impact its raw architectural state offers to historic preservationists seeking to better understand the construction methods of these early houses so that they can more faithfully restore such structures.
Cummings was also the first scholar to suggest that dendrochronology (the study of tree rings for dating purposes) be used in New England to date the earliest colonial houses, using the Gedney House as one of the first structures on which to test this technique. After the former owner had stripped away much of the interior trim down to the frame, a beam that had been cut into at some point in the house’s history was exposed. The cut revealed an almost complete cross-section of the beam’s tree rings. Cummings used the rings to date the construction of the house to 1664-1665 based on a set of specific drought rings that coincided with the 1590s and 1615-1620.
If you happen to find yourself in Salem, MA during one of the days the house is open for limited tours (first Saturdays in April-October), I can’t recommend it enough. As you walk through the building, you can see the signs of each of the unique periods, as well as how they overlap with each other. So many people have called that house their home and their stories are literally carved into the frame of the house.
Taking a 5 hour drive might seem like a slog, but the destination was well worth it! On Friday May 18 I headed up to Bar Harbor to attend the inaugural Indian Art Market being put on by the Abbe Museum.
The Abbe Museum is an institution that focuses on using artifacts to tell the story and history of Maine’s indigenous people in a collaborative and inclusive manner. The Indian Art Market is just another way that they are using their institution to promote Wabanaki artisans, as well as other native artists.
On Saturday I got to enjoy the first day of the market with a fairly sizeable crowd of other interested visitors. All of the booths had exceptional stuff, but I was very interested in talking to a man named Hawk Henries (Nipmuc). Mr. Henries is a master flute carver and player. I am very interested in adding one of his pieces to our collection, particularly as we look to expand upon our offerings for the Music Department. It was a delight to talk with him and his wife, Sierra, about not only the flutes and his music, but how he is an active and engaged educator, who apparently even came to PA in 2003 and worked with students as well as toured the Peabody!
2. Hawk Henries at his booth.
1. Selection of flutes hand made by Hawk Henries.
3. Image of a PA announcement from 2003 of Hawk Henries visit to the campus.
In addition to the opportunity to talk to Mr. Henries, I also had fascinating conversations with others such as Karen Ann Hoffman (Oneida Nation of Wisconsin), Geo Neptune (Passamaquoddy), and many others. It was a fabulous trip and I would like to congratulate the Abbe Museum on a very successful venture and am very happy to see that plans for the 2nd annual Indian Art Market is underway!
To read more about the Indian Art Market, check out these articles form local news outlets:
Kevin Porter, the Vice Chairman and Overseer Coordinator for the Andover Conservation Commission, invited me to be the Keynote Speaker for their annual meeting on April 19. Mr. Porter was looking for someone who could speak to their group about the Native history of the area, and my name had been given to him by Stephanie Aude, a former OWHL librarian who now works at Andover’s Memorial Hall Library.
The reason for his interest in a speaker on Native Americans is that they have begun working on making Retelle Reservation in Andover more accessible to the public, and that includes creating informational panels about the landscape.
While the volunteers who are managing Retelle Reservation have created panels to highlight the different environments and animals one might encounter while enjoying the area, they want to include one about the Native people who use to live there.
The Overseers and other volunteers recognized the importance of this history and sharing it with visitors because Retelle Reservation is on the western edge of the Shattuck Farm site. This site is very important to understanding the Native history of the Merrimack Valley and was excavated by Warren Moorehead, Alfred Kidder, and others who worked at the Peabody, in addition to Barbara Luedtke’s investigation of the site in the 1980s.
Since the presentation, Willow Cheeley of the Merrimack River Watershed Council (MRWC) has reached out regarding their property, Pine Island. Pine Island is situated near Retelle Reservation, in the middle of the Merrimack River, and has the potential to be archaeologically important because there was a small camp site located on it. It is believed that the camp was used to monitor those who traveled on the river and to keep them away from the larger village that was on the mainland.
As the MRWC begins to think about ways to preserve and tell the history of Pine Island and the surrounding area, they are also investigating the collaboration possibilities between MRWC, the Town of Andover, and Phillips Academy. Their interest in partnering with PA stems from the records and expertise the staff at the Peabody have and from their previous work with faculty member Mark Cutler.
This timing could not be more perfect since Mark will be taking a sabbatical for the 2018-2019 academic year to work on creating a bilingual experiential curriculum on the cultural history of the Merrimack Valley. This work will be an extension of his class Confluence: Environment, Culture, and Community. Mark also hopes that the materials he creates will be utilized by area schools and institutions, and possibly even adapted as an interdisciplinary class at PA in the future.
And having heard that I was giving the Keynote Lecture, Mark attended the talk, and has already roped me into helping him with the development of the Native history part of his curriculum. This will certainly be an interesting partnership and an amazing way for the Peabody to contribute to both the PA and Andover (and more!) communities. We look forward to keeping you updated as these projects progress!
I was recently invited, along with my frequent collaborator (also known as my partner-in-crime), Dr. Bethany Jay, to present at University of Southern Maine’s inaugural symposium, Race, Power, and Difference: A symposium for Maine Educators.
The symposium featured Dr. Tiffany Mitchell who kept the audience laughing throughout her keynote address that focused on how educators could go beyond one-dimensional narratives about people of color in the classroom, using her own experiences to emphasize points.
Bethany and I were there to present our work on how to incorporate practical strategies and hands-on learning regarding slavery. Our work with the Southern Poverty Law Center’s Teach Hard History program and lessons that we each use with our own students served as the basis for our discussion with the participants.
***Interestingly, ZB Oakes was a slave auctioneer who lived in Charleston, SC in the 1800s. His papers are part of the collections at the Boston Public Library because they were seized during the Civil War by a Massachusetts regiment comprised of free blacks and brought back to Frederick Douglass – as almost a trophy about what he helped accomplish!
Our session was one of the most attended of the day, with some participants having to stand and a continual stream of adding more chairs to the already cramped room. It clearly demonstrated that educators KNOW that this is an important topic and yet struggle for finding appropriate resources. Throughout the presentation and activities the participants were continually engaged and asking great questions – of us and other attendees – about strategies that they might use or modify to fit their unique student populations.
And to make things even MORE exciting – one of the fellow presenters was Dr. Nate Hamilton! Nate frequently collaborates with Bethany and me and has been a part of the Peabody extended family for years. It was nice to see him in his “natural habitat” of Maine for once!
In the last two weeks, we have had three major Nor’easters here in New England. Fortunately, it has been while students are on break and has not slowed down the creation of new lessons for spring term.
“A man never lies in his garbage heap” – Franz Boas.
Last term I was approached by Emma Frey, faculty in history, to create a single period activity that would introduce her 9th graders to the concept of reading objects as text and use them to tell a story. As Emma and I talked and brainstormed, we decided on an existing lesson that I had created years ago for our Archaeology Explorers and how we could flesh it out so that it better met Emma’s class goals and objectives. The activity is a garbology lesson called Trash Talks!
In the activity students are divided into three groups and are given a bag of clean trash. While working together to sort and identify the trash, each group also compiles a biography of the person(s) who created the trash. They will be asked to make observations and inferences about the trash and what it might reflect about a person, such as their gender, age, activities, etc.
While the trash is “modern” the principles that students use to analyze the trash are the same as the ones that archaeologists use to study cultures of the past.
I am very excited to run this lesson with students and to see how they interpret the trash!
The collections staff at the Peabody keep telling me that I can’t have a cat. Which I guess was fair, until I found out that all this time they have been hiding a jaguar in our basement!
A few weeks ago I was approached by Elizabeth Aureden, instructor in music, to design an interactive class for her Music 410 course, The Musical Brain. While looking through our collections for musical instruments, I learned from collections assistant Samantha Hixson that she had just found and catalogued some effigy rattles.
The objects were made of clay and painted a variety of colors, and some still rattled.
This new find seemed very promising and so I wanted to learn more about them. Research indicated that these objects were from the Nicoya Peninsula of Costa Rica and most likely date from AD 1000 – 1350.
The parts we have are clearly broken and part of a much larger artifact. These are the remnants of the tripod legs of a rattle effigy vessel. Each of the three legs would have contained three clay balls and had openings on the side for the sound. When shaken a rhythmic sound can be heard.
That’s pretty neat! But the story became even cooler as I found more information about this style of pottery.
The bowls were used to add a percussive sound to a ceremony. And the sound it made was not an accidental rattling sound, but rather a deliberate and meaningful one. When the bowl is shaken or moved about, and the clay balls rattle together, they create a deep, rumble. This sound is mimicking the low growl of an actual jaguar!!!!! Researchers have even noted that when the bowl is tilted and moving forward – like a jaguar lunging at prey – the sound is more prominent.
If your interest is now piqued about other objects from the Nicoya Peninsula, check out Dr. Rebecca Stone’s book, The Jaguar Within.
So next time you are at the Peabody be on the lookout, because you never know what other predatory animals might be lurking!!!
I recently received two requests from history faculty for our class on Westward Expansion. Unfortunately, we recently determined that the majority of the objects used for that class should be further investigated to see if they are potential NAGPRA objects – specifically items of cultural patrimony. Which meant that if I was to fulfill the requests of these teachers I needed to come up with a new activity FAST! I had less than two working weeks to formulate and flesh out what the seventy-minute class would do.
While I was scrolling online for ideas my colleague Samantha Hixson mentioned a Plains dress that we had – thus giving me an “A HA!!!!” moment. I had seen a lesson related to a Plains dress from the National Museum of the American Indian. That got me thinking and served as a foundation for my own lesson.
I decided to use multiple objects from the Peabody Institute’s collection to understand the long standing close connection that Plains tribes had to their surroundings and communities through traditions. Through the lens of one aspect of life – clothing – the impact that Westward Expansion had on tribes will be more clearly defined.
In addition to the dress I also selected a pair of beaded moccasins, one of the muslin pencil drawings (reproduction), a defleshing tool, as well as a bison skin rattle (reproduction). The class begins with students wandering around the room, simply exploring the objects scattered about before working together to dive more deeply into the material culture.
Some of the questions students are asked are basic observational ones: “what material is the dress made from.” Others begin to stretch their understanding of the process of making clothing: “what role did men and boys have in the creation of the dress and shoes.” We also delve into why decorations are important, not only in the culture we are studying, but our own as well.
We then pause as a class to talk about traditions and what they mean to us personally. We talk about the positive influence they have on us and how they bring us closer together as a community (Head of School Day was a favorite tradition that was mentioned. One can tell that the speculation amongst students of when it will be called is going strong!!).
We then discuss how the actions of white settlers and the government destroyed the traditions of Plains tribes and how this affected communities. This was a very emotional part of the class for many students. It is certainly one thing to read about atrocities in the past through the emotional barrier of a textbook – and quite another to “see” it when looking at the clothing that a real person wore. And based on an email I received from one of the faculty asking for more resources for students to further investigate the impact on tribes and how they are dealing with it today, it is a lesson that has already had a lasting impact on the students.
But I do not want to end my post on such a heavy note, so I will tell you about a great way that everyone at the Peabody supports the work of each other. For the first class Samantha sat in on the activity and was VERY helpful. While she did answer some of the student questions – which was very nice and I do not mean to diminish how helpful that was – but more importantly SHE WAS WEARING QUILL EARRINGS!!!!! And in the lesson I mentioned QUILLING!! So I may have made asked her to take them out so that I could show them to students.
She also noticed that I mention elk tooth beads in my lesson and shared with me that students had recently discovered one in our collections! SCORE!!!! Collaboration for the WIN!
During Fall Term I worked with Meg Bednarcik and Nick Zufelt – both Instructors in Mathematics, Statistics, and Computer Science – to create a class that would focus on the computer science concepts of looping and parameters.
We decided to utilize the extensive Guatemalan textile collection at the Peabody, as they are brightly colored and engaging and most have repeating, or looping, motifs. We also liked the idea of incorporating clothing made and worn exclusively by indigenous women into a subject where they are woefully underrepresented.
Eighteen huipils (wee-peels) were pulled for the class, with the images of another twelve scanned. A huipil is a traditional Maya women’s shirt.
The first activity was a matching game to show students how huipils had silent information encoded into them about the wearer’s home community. Each village has its own distinctive design. The students were given twelve cards with images of other huipils in our collection and asked to match them to huipils that were laid out in the room. The following images are from three villages, highlighting how the differences between villages, as well as the variation within a particular village.
Huipil from San Mateo
Huipil from San Mateo
Huipils from San Mateo
Huipil from San Ildefonso
Huipil from San Ildefonso
Huipils from San Ildefonso
Huipil from Almolongo
Huipil from Almolongo
Huipils from Almolongo
Then students worked with either Meg or Nick to find designs that had looping designs, or nested loops. Then they worked on creating parameters for the designs they had found.
The third activity was asking students to identify certain motifs that are common in Maya imagery. Some, such as a deer, were more literal then others, such as the feathered water serpent or portals.
And as you learn in the write up bellow by Meg, this class served as the starting point for a term long project the students will be working on:
My AP CS A students ventured to the Peabody Institute to learn of Guatemalan huipils and the stories these women’s clothes tell of personal identity. The students will complete follow-up assignments to program their own design defining their personal identity here at the academy and beyond utilizing programming concepts learned in class such as objects and repetitions. Though many students were shocked to be at the Peabody for a CS class, they left reflecting on the many ways these programming ideas apply to other aspects of our world. I am eager to continue to utilize these resources at our fingertips to allow students the space to ponder their place in our interconnected world beyond PA, and consider the beneficial impact their work as computer scientists can have on others outside of the classroom.
~ Meg Bednarcik, Instructor in Mathematics, Statistics, and Computer Science
This has been one of the most interesting and fun classes for me to develop. I really enjoyed working with and learning about part of our collection that is underutilized. But most of all, I have been thoroughly engrossed by the current action Maya women are taking to ensure that their designs are protected and not appropriated. Based on the information I gleaned from my research, I included a huipil from Santiago Sacatepéquez, which is the only community so far that has been able to give legal protection to their woven intellectual property.
To learn more about huipils and their images, visit Guatemala City’s Ixchel Museum of Indigenous Textiles and Clothing website.
Below are symbols found in some of the huipils in the Peabody’s collection:
Serpent motif –geometric designs known as “kumatz’in”. “The Kaqchikel term kumatz means snake, or the feathered serpent.
Deer – Deer held particular significance in Maya mythology and the Dance of the Deer, originating from pre-Conquest times, is still performed at festivals today.
The Double Headed Eagle – The double headed eagle in Maya mythology represents the Great God with two faces, one looking to good and the other to evil, or to heaven and earth. Double-headed birds are motifs frequently used for decorating ceremonial garments. The image to the right outlines the shape of the double headed eagle.
Sky bands – represents the path of the sun with the Xs formed in the “empty” space refers to the end of the solstices.
Offering plate / Portal – “portal” or “door” was the Maya name for the entrance into the “other world” (spirit world). The dot in the center represents the door through which an ancestor can travel.
The Star That Proceeds The Sun – This motif has been a part of Mesoamerican cosmology since Olmec times. It can be seen in celestial bands along with the sun, the moon, and particularly Venus. It is also featured in codices, such as the Popol Vuh.
Bird – At the beginning of the rains, and when maize is sowed, they can be seen in large quantities on the rivers and lakes.
Sun – A sun is embroidered around the neckline. If a woman in the village just became a widow, she would wear her huipil without the sun around the neck, because she would have lost her sun
Lightning – Vertical zigzag lines are associated with rain and lightning.
Lion / Jaguar – The animal has been given a mane, indicating European influence. The cougar or American lion has no mane.
Packing up my car with artifacts always signals that I am off on an adventure!
Recently I traveled to Brookwood School in Manchester-by-the-Sea to work with the 4th grade classes. The students had recently begun learning about ancient cultures and how historians and scientists study them, particularly when there are no written records – or at least ones that we can read!
To help everyone better understand how archaeology allows us to investigate cultures of the past, I brought our mock excavation site. The faux dig is made up of painted canvas squares and real artifacts. It is based on a real archaeological dig that took place in Andover decades ago at a pre-contact Native American site, approximately 500 years old.
Working in groups, students rotated around each square or “unit” to look at the artifacts and to hypothesize what human activities were taking place. The groups were able to correctly identify which unit was similar to a kitchen, where the house stood, and where pottery was being made – proving that they had become experts in deciphering the clues left behind!