Combing through the Phillipian – Part 1

Contributed by Adam Way

My name is Adam Way. I am currently a graduate student at the University of New Hampshire and am working towards my Master’s Degree in Museum Studies. This summer I am working as an independent researcher for the Peabody Institute looking through old Phillipians to see how the Institution has been perceived and presented by Phillips Academy students over time.

This is me on the Cadir Hoyuk archaeological site located in central Turkey in 2018.

In the modern day, there are a number of factors that determine the best place for an artifact or specimen, whether it is in a museum, either private or public, or with the people for which the item has cultural significance. This, of course, has not always been the case. For a long time, the mentality regarding the storage, display, and ownership of artifacts was similar to that expressed in Indiana Jones and the Last Crusade: “It belongs in a museum.” This mind set and practice is certainly present during the early years of the Archaeology Department, now the Peabody Institute, and is reflected in the publication of its various acquisitions in the Phillipian.

There are numerous ways that a museum or institution, such as the Peabody, can increase the size of its collections. These methods include donations, purchasing and exchanging of collections, and conducting archaeological expeditions. Through these methods, the Peabody was able to amass a collection of around 81,000 specimens within its first twelve years of operation (according to the Founders’ Day issue of the Phillipian from Oct 11, 1913).

Phillipian Article, October 11, 1913

While looking through the issues of the Phillipian, it quickly became clear to me that two of these methods of acquisition occurred more often than the third – donations and purchases/exchanges. Donations played a key role during the early years of the Archaeology Department and its collections as they allowed for the collections to grow without draining their available funds. The Department received donations from both individuals with private collections as well as from other organizations. This can be seen in instances like the gift from the Field Museum of Natural History in Chicago, where a sizable donation of clothing and ornaments from the Pacific Islands was made in March of 1910 (although these are not currently present in the Peabody’s collection). While donations like this did occur, it was much more common for individuals to make donations from their own private collections. These gifts tended to be smaller in size but would still dramatically impact the total collections due to the overall volume.

Phillipian Article, March 12, 1910

The other means of acquisition that occurred often was the act of purchasing collections or engaging in a trade. For example, In the Feb 1 issue of 1913, it was announced that Moorehead had traveled to Yarmouth, Maine to secure a collection from an Arthur Marks, Esq. By securing this collection, Moorehead added roughly 2000 specimens to the Department’s total collection. This was also only a few months after they had purchased another collection from W.H. Wheeler of Concord, MA. The Wheeler collection consisted of over 4000 objects from around New England and was the largest single purchase by the Department in the region.

The last way that the Department expands their collection is through sponsored archaeological expeditions. This method of acquiring new specimens definitely occurs less often than the other two methods, especially at first, but becomes more frequent as time goes on. According to the articles in the Phillipian, the specimens retrieved from archaeological digs was fairly limited at first. They mainly came from Moorehead and Peabody’s research expeditions, both throughout the States and in Europe. It was mentioned several times that both men shipped collections of varying sizes back from Southern France. The number of domestic digs did increase as the years went on as Moorehead started a yearly expedition to Maine that brought in roughly 1000 specimens in the first year alone (1912). This specific expedition would prove fruitful for Moorehead as he returned many times in the coming years. In addition to Moorehead’s expeditions, there would also be collection trips where a member of the Department would be sent to a region, such as Eastern Massachusetts, and would be tasked with finding artifacts from old sites. These trips were quite common and could bring in up to 8000 artifacts in one year (1912-13).

From what I have seen in the Phillipian’s coverage of the ever-expanding collection, these methods of adding to the total collections of the Department contributed roughly the same amount. The amount of donations and purchases of collections far outnumber the number of archaeological expeditions; however, they are often much smaller in size. The balance of these three methods is subject to change as I have only read what has happened in the early years of the Department. It is nonetheless impressive how the Department was able to amass such a large collection in such a small amount of time.

Miniatures Meet Fossil Humans

Contributed by Ryan Wheeler

In July, I start to think about the upcoming fall course Human Origins. Last year I spent most of the summer retooling the course into an online experience. I owe a lot to the advice of my spouse, who passed along many of her experiences teaching online in spring 2020. I was pleased with the result—an iterative, assignment driven course, taught exclusively online, that even managed to keep some hands on activities. In fact, I plan to keep many elements of the online course—students in the fall will use Padlet for many of their assignment, we will dedicate at least two weeks to flint knapping, and we will keep the three major themes: pseudoscience, human evolution, and race. I will continue to look for ways to decolonize the syllabus as well. Considering the frequency of new discoveries (Google “Dragon Man,” for example), the focus is more on how to think about human evolution, rather than the details. The frequent new discoveries in the field continue to challenge the two competing models of human evolution, making us wonder, maybe we really need a new theory?

3D prints of fossil hominin skulls made by students in Human Origins, fall 2019.

I hope that we can revisit 3D printing again in the fall. Once many of the skeletal elements of Homo naledi became available on Morphosource, 3D printing became part of the course. For a few years, we visited the campus makerspace and looked at prints of Homo naledi’s more unusual features, including the hand and femur. In fall 2019, students worked in teams to 3D print their own miniature versions of fossil human skulls, learning details about each find and species as part of the assignment. Those miniature 3D prints got me thinking about earlier models and teaching tools for this subject, and my own first interests in human evolution.

Part of the foldout “March of Progress” graphic from Time Life’s Early Man book, circa 1970.

My first inkling that human evolution was something to be interested in came from a mid-1970s rebroadcast of a documentary called Natural History of Our World: The Time of Man (first aired, December 14, 1969). I wanted to watch this for two reasons: 1) Richard Basehart, who played Admiral Nelson in one of my favorite TV shows, Voyage to the Bottom of the Sea, provided the narration, and 2) I wanted to know more about the fossils shown in the teaser ads! I think my parents were a little baffled, but they let me stay up and watch it. I don’t remember much about that show, but it included some pretty incredible shots of volcanic activity and, of course, Basehart’s distinctive voice. Not long after that, my dad brought home a set of the Time Life nature books, with the 1970 edition of Early Man right on the top (it looks like Early Man was first published in 1965, but there were many reissues). That book captivated me! Books on dinosaurs, fossils, and evolution (for someone who was a kid, or perhaps anyone, really), were in short supply in the 1970s. I still share that book with students in Human Origins, and we talk about the many errors of the “March of Progress” graphic that launched a thousand memes. For a kid in the ‘70s interested in evolution, that book—authored by a serious scientist, H. Clark Howell—was a treasure.

Squadron Rubin’s “Neanderthal man” figure with original packaging and color chart.

So imagine my delight when I found a tangible, material version of those fossil people. The discovery was in an unlikely place—the local hobby shop. I was interested in model kits, but the little metal figures of warriors, Vikings, and dragons were especially exciting. These were becoming more popular with the rise of the role playing game Dungeons & Dragons, and various alliances and licensing deals between the D&D publishers and companies like Grenadier who made these miniatures, or minis. There among the heros and monsters of D&D (think the current TV show Stranger Things), were some old stock made by a company called Squadron Rubin. These were figures of all the fossil humans found in the pages of the Time Life Early Man book, and the color cards even referenced the book! Some Googling indicates that artist, sculptor, and businessperson Raymond Rubin was behind these figures. The main figures made by Squadron Rubin were of historical soldiers, spanning the Picts to Vietnam and every period in between. The idea was that you could buy these, glue as necessary, and paint following the color chart provided, building up your army. Eventually Rubin collaborated with others to launch Grenadier, the company that dominated the metal miniature business for a while. I wish I knew more of the story behind how the world of metal miniatures intersected with human evolution, but I was happy that it had!

The Squadron Rubin Australopithecus male figure with color chart!

The Squadron Rubin fossil people are 1:32 scale, so most are around or just under 2 inches tall. And, they aren’t frenzied savages like the “cavemen” depicted by Frank Frazetta or other artists around the same time. The artistic recreations in the Early Man book supplied the inspiration, and the figures are usually just posing, often in male-female pairs. I’ve managed to locate examples of Squadron Rubin Neanderthals, Australopithecines, and Cro-Magnon people, and I suspect there were other species depicted as well. Occasionally, they turn up on eBay.

Covers from DC Comic’s “Anthro,” which pitted the first Cro-Magnon (or modern human) against an array of cave brutes and prehistoric monsters, late 1960s.

The Squadron Rubin figures, along with the many other depictions of fossil humans in popular writing, TV ads, comic books, movies, artwork, and sculptures give us a glimpse into thinking about human evolution and fossil people through time. I often ask the Human Origins students to find and research examples of how fossil humans were depicted in popular culture. Are the treatments sympathetic, savage, sexualized, or something else? Often this has to do with ideas about how closely modern humans are linked to these ancient people. The recognition of genetic connections between modern humans and Neanderthals in 2011 marked one shift in our relationship to “cavemen.” Once we understood there was a connection between us and them, depictions of ancient people began to shift, becoming more sympathetic and sensitive to our ancestors. But, it depends a lot on the artist, medium, and specific circumstances.

Behind the Photograph: Traveler in Tweed

Contributed by Emma Lavoie

Pipe in mouth and axe in hand, a man in a tweed suit stands in front of a 1940s Dodge “Woody” station wagon brimming with suitcases and archaeological gear. The crates on the ground by his feet are labeled, “F. JOHNSON, PEABODY FNDN, ANDOVER, MASS.” Who is this man and where could he be traveling to?

The year is 1948 and this traveler in tweed is Frederick Johnson, curator of the Peabody (known as the Robert S. Peabody Foundation for Archaeology at the time) from 1936-1968.

Fred Johnson with expedition gear in front of the Peabody, 1948.

Frederick Johnson (1904-1994) joined the Robert S. Peabody Foundation for Archaeology as Curator in 1936. He held this position until 1968, serving one year as Director before retiring in 1969. During his time at the Peabody, Johnson initiated an archaeological excavation program for students at Phillips Academy. He also organized the Committee for the Recovery of Archaeological Remains (1945-1968) and chaired the American Anthropological Association’s Committee on Radioactive Carbon 14 (1948-1968.)

Johnson is recognized for contributing to the development of an interdisciplinary approach to archaeology, using scientists from various fields to study archaeological problems together. The Boylston Street Fish Weir project (1939) in Boston, MA as well as the Andover-Harvard Yukon Expedition (1944 and 1948) were two examples of this method.

The image of Fred Johnson above was taken before his trip to the Yukon Territory for the last year of the Andover-Harvard Yukon Expedition. This five-month field project combined archaeological and geobotanical research in the unknown northwestern interior of North America and was carried out jointly by the Peabody and Harvard University (funded by additional sources, including the Wenner-Gren Foundation.)

The journey began from North Dakota to Burwash Landing, Yukon with research in parts of the Shakwak and Dezadeash Valleys in southwestern Yukon. The project leaders were Fred Johnson and Professor Hugh Raup, botanist and Director of the Harvard Forest in Harvard, MA. Two Harvard graduate students served as assistants in the botanical and archaeological research, Bill Drury and Dr. Elmer Harp, Jr.

Harp was a recent Harvard graduate and Curator of Anthropology for the Dartmouth College Museum in Hanover, NH. He documented the trip through field notes and his own photographs. Below is one of Harp’s photographs taken at the beginning of their trip. Do you notice anything similar between these two images? That is the same station wagon in each photograph and yes, that is Fred Johnson with his pipe again! Harp and Drury were tasked with driving the expedition’s station wagon from Boston to Whitehorse, Yukon Territory – standard labor assigned to graduate students in the field.

Bill Drury, Fred Johnson, and Elmer Harp at the start of the Andover-Harvard Yukon Expedition, May 4, 1948. Photograph by Dr. Elmer Harp, Jr., Professor of Anthropology Emeritus, Dartmouth College, Hanover, NH.

According to Harp’s recordings from the expedition, Johnson and Raup conducted several projects in the early years of the Yukon project (1943-1944) exploring for evidence of the first appearance of humans in the New World. The 1948 project was to search for archaeological sites along the eastern borders of the Rocky Mountains via the Alcan Highway. This was the first time the highway was opened to civilian traffic since the beginning of WWII. The Andover-Harvard expeditions went on to represent the first systematic explorations of Yukon’s prehistoric past.

Further Readings and Resources

For more information on the Yukon project, see its publication: Investigations in Southwest Yukon, by Fred Johnson, Hugh Raup, and Richard MacNeish, 1964

Explore Elmer Harp, Jr.’s field notes on the Andover-Harvard Yukon Expedition: North to the Yukon Territory via the Alcan Highway in 1948: Field Notes of The Andover-Harvard Expedition.

For more information on the Andover-Harvard Yukon Expedition photographs by Fred Johnson check out our blog: Cataloging photographs in our database, and the Andover-Harvard Yukon Expedition photographs

Blood Quantum: A Zombie Film

Contributed by Lindsay Randall

The last lesson that I taught for the 2020-2021 academic year was unbelievably interesting and completely unlike anything I have ever taught about.  

So. Much. BLOOD Fun.

Dr. Miriam Villanueva, faculty in the History department, taught a course during Spring term on understanding history through zombie films. She used films such as Ojuju and Zombi Child to explore various cultural, social, and economic issues impacting the cultures that the films center on.

The film that I got to collaborate with Dr. V on was Blood Quantum by director Jeff Barnaby. 

The indigenous people in the isolated reserve of Red Crow are immune to the zombie plague that has taken over the nation, but that doesn’t mean their lives aren’t at risk. It’s up to Traylor (Michael Greyeyes, “Fear the Walking Dead”), the tribal sheriff, to protect the families residing on the reserve and a flood of desperate refugees from the hordes of bloodthirsty, walking white corpses that are closing in.

Click here to rent/purchase Blood Quantum.

The term “blood quantum” refers the racist concept that one’s “Indianness” can be quantified by the amount of “Indian blood” that one possesses. Historically, the idea of blood quantum emerged as a way to construct racial identity to benefit the dominant white society. The idea was as the blood of indigenous people became “diluted” that they would disappear – and with them any legal obligations the government had or any obstacle that they represented for the growth of white society.

The premise of Blood Quantum –that the Indigenous people of Red Crow are immune to becoming zombies–seems to be incredibly positive (as much as anything can be in a zombie film), students in Dr. V’s class were quick to pick up on the quote from the movie that being “immune to the plague doesn’t mean immune to being eaten alive.” They saw how the immunity actually served as another method to ensure the destruction of Native people – there would be no Indigenous people left while hordes of white zombies still roamed everywhere. However, their immunity did give members of the Red Crow reservation a power that was denied to all others in the movie.

As you can see, there was a lot for the students to unpack while watching the film. Below are just a few of the issues/metaphors that students investigated. 

If they’re red, they are dead. If they’re white, they bite.

By no means are these all the ways that the movie serves as commentary regarding historical and contemporary issues in Indian Country nor are the examples given below the only ones that can be found in the movie.

Current conditions of Native reservations

Early on in the movie, there is a discussion about how all the tetanus shots in the clinic have been taken by the emergency department.  Students saw this scene as connected to reservations given the historical and contemporary actions of resources being taken by the government and other for profit industries.

Students also discussed that how the compound was set up to protect against zombies was similar to modern reservations given its lack of electricity, heat, sanitation, and other vital supplies.  

Red Crow Reservation during the zombie apocalypse. 

Dishonesty towards Native people(s) and communities 

There is a scene where a father is trying to bring his clearly sick/injured daughter into the compound. When asked if she had been bitten the father denied it, however the bite mark was easily found on her neck.

There was also a character named Lilith who showed up with the father and daughter who also had a bite wound on her stomach, which she never disclosed while accepting the help and security being offered.

The dishonesty by the father and Lilith in their attempt to get what they wanted – no matter the cost to those who were trying to help them – reminded the students of both the historical and contemporary treatments of Indigenous people where information was intentionally kept from them and did not allow them to make informed decisions (such as the abhorrent lying that took place when Indian Health Services forcibly sterilized young women in the 1970s)

Father holding his infected daughter.

Destruction of Native families

The deaths of numerous characters throughout the movie is not the only way that the destruction of Indigenous families is portrayed within the film. One of the aspects of the movie that students noticed in connection to this was the fact that the character of Lysol had been placed within the foster care system. The statement in the movie that “he left an Alan and came back a Lysol” also demonstrates the trauma that is prevalent within the system and how it can change the entire personality of a child.

Placing Native children into the foster care system is a direct result of the same federal policies which lead to the creation of native boarding schools. The foster care system has played such a destructive role in the harming of Native families and communities that the state of Maine convened  the Wabanaki-State Child Welfare Truth and Reconciliation Commission to investigate the trauma that resulted from decades long policies related to Native children in the state of Maine. (Dawnland is an award winning documentary about the Commissions work)

Joss, Joseph, and Joseph’s newborn daughter on the run from zombies.

Missing and murdered indigenous women

The absence of a person makes it easy for them to be overlooked, however students in the class were very aware that the mother of the character Lysol was mentioned a few times but never seen. One part of dialogue that the students brought up was when Joseph says, “The whole reservation knows what happened to his mom” but then nothing more about what happened is said.

The fact that the audience never learns the name of Lysol’s mother is another connection to missing and murdered Indigenous women. While the shooting of unarmed Black men is a crisis within society, at least we know the names of George Floyd, Michael Brown, Trayvon Martin and countless others. It is a sad commentary on our society that the average person cannot name even one Indigenous woman who has been murdered or who is currently missing.

Joseph and Joss talking about Lysol

Biological warfare

There is a scene where the father of the daughter who died outside of the camp due to a zombie bite brings in the blanket that she had been wrapped up in. When Kawennáhere Devery Jacobs’ character Charlie notices the blanket she grabs it from the man and throws it into a fire while yelling at him that he cannot bring that into the reservation.

The students immediately understood that this scene was meant to evoke the histories of blankets infected with smallpox being given to native people as a method to murder them.

Charlie taking the infected blanket to be burned

Destruction of natural and other resources

One of the topics with which students were already familiar was protests against the destruction of the environment and areas of cultural significance by the construction of gas and oil pipelines. Many Indigenous communities have set up blockades, particularly on bridges, to stop the movement of workers and machines.

The imagery created by the barricade on the bridge to stop zombies from crossing into the reservation is incredibly similar to the pictures from protest sites such as DAPL/Standing Rock.

Barricade on bridge to stop zombies from entering Red Crow Reservation

Christian God used to defend the treatment of Native people(s) and communities

The use of biblical words and the concept of God has been used for centuries to rationalize the inhumane treatment of native people.

“For it pleased God to visit these Indians with a great sickness, and such a mortality that of a thousand above nine hundred and a half of them died, and many of them did rot above ground for want of burial”   – Gov. William Bradford

“For the natives, they are near all dead of the smallpox, so the Lord hath cleared our title to what we possess.”  – Gov. John Winthrop

In the first moments of the movie an “Ancient Settler Proverb” appears:

“Take heed thyself that thou make no treaty with the inhabitants of the land for when they whore themselves to their demons and sacrifice to them, you will eat their sacrifices. And when you chose some of their daughters for your sons they will lead your sons to do the same.”

Some of the students were aware that the “Ancient Settler Proverb” was in fact Exodus 34:12. 

Ancient Settler Proverb

Another interesting connection the movie made was to something that director Jeff Barnaby experienced as a child.

In June of 1981, Lucien Lessard, Quebec Minister of Recreation, Hunting, and Fishing instigated conflict with Mi’kmaq living on Restigouche (now Listugui) by demanding that they remove all nets from their traditional fishing waters. Salmon fishing was vital to the survival of those on the reservation there were, unsurprisingly there was intense pushback from community members. Instead of dealing with the issue peaceably, Lessard sent about 400 Quebec Provincial Police to engage in a brutal raid on the reservation. 

Documentary “Incident at Restigouche”

These events were captured in the documentary “Incident at Restigouche” and Barnaby has commented numerous times on how this film influenced his career. One of the scenes is that of an elder talking about how he took an ax and drew “a line for them not to come any further.”

Elder speaking about how he stood up to the forces illegally entering Restigouche.

A hyper-specific homage to the violent events of 1981 at Restigouche and this elder in particular is found in the animated scene were Gisigu takes a sword to defend against zombies.

Scene from movie that references the attack on Restigouche

So, if zombie movies are your thing, you might consider watching this particular movie and I hope that this blog post will make your viewing richer in your understanding of how it serves as a commentary on issues within Indian Country.

For more about Blood Quantum:

Jeff Barnaby Made an Apocalypse Movie to Watch the System Fall. Then a Pandemic Hit

PODCAST: Jeff Barnaby talks about his indigenous zombie film Blood Quantum

Decolonizing the zombie apocalypse:  An interview with Jeff Barnaby about his new film ‘Blood Quantum’

JAE Publishes Special Issue on Doing and Teaching Archaeology Online

Contributed by Ryan Wheeler

May 2021 saw the publication of special issue “Perspectives on Teaching, Learning, and Doing Archaeology and Anthropology Online” in the Journal of Archaeology and Education. Nine timely articles address the big picture and specific case studies in teaching archaeology and anthropology online—something that many of us have gained new experience in during the pandemic. And, while most institutions are looking to a return to in-person teaching, these articles, organized by David Pacifico and Rebecca Robertson, and based on the 2018 American Anthropological Association roundtable session “Teaching and Learning Anthropology Online,” make the case that teaching archaeology and anthropology online is not only possible, but can be done well and comes with some benefits. For example, Russ Bernard makes the case in his article that “online education is the only way to scale up training in statistics and research methods for both graduate students and undergraduate students of anthropology,” helping to forge more and better connections between our academic departments and employment. Michael Wesch, in his contribution, describes anth101.com, an online course that “is organized around 10 big lessons that attempt to help students embody the ‘ethos’ of anthropology, including … the ability to ask big questions, try new things, see patterns, see the big picture, see the little things that matter, and overcome fear, hate, and ignorance to empathize with others and understand cultural differences.” Check out this great special issue and all it has to offer at JAE today! And, many thanks to JAE editor Jeanne Moe and JAE guest editor Katie Kirakosian for their work on the special issue, and to the authors for sharing their work in JAE!

The Journal of Archaeology and Education is a peer-reviewed, open-access journal dedicated to disseminating research and sharing practices in archaeological education at all levels. We welcome submissions dealing with education in its widest sense, both in and out of the classroom—from early childhood through the graduate level—including public outreach from museums and other institutions, as well as professional development for the anthropologist and archaeologist. The journal’s founders recognize the significant role that archaeology can play in education at all levels and intend for The Journal of Archaeology and Education to provide a home for the growing community of practitioners and scholars interested in sharing their first-hand experiences and research.

JAE was founded at the Robert S. Peabody Institute of Archaeology, where archaeology is used to support high school curricula at Phillips Academy, and is hosted at the University of Maine’s Digital Commons website.

From Decolonizing to DAMS: the Beauty of Online Learning

Contributed by Marla Taylor

Over the last couple months, I was fortunate to take two online professional development courses – Decolonizing Museums in Practice and DAM for GLAM. These classes covered very different topics but overlapped in some really surprising ways.

The Decolonizing Museums class is directly applicable to so much of the work that I do every day. We have taken steps at the Peabody Institute to incorporate decolonizing into our collections management policy, researcher access policies, and NAGPRA implementation. I am proud of that work, but also wanted to take a step back and immerse myself in the scholarship behind this approach to museum management.

The class was filled with fascinating, thought-provoking, and occasionally uncomfortable readings that stretched my assumptions and gave me a new framework to view my role, as a white settler female, in managing an archaeological collection full of Indigenous material culture. The instructors and my classmates could not have been better. We represented a wide variety of museum roles and perspectives from across three different countries. We were all open and honest about when we were challenged by the readings and I found listening to others work through their decolonizing journey could be enlightening about my own.

Fortunately for me, one of my classmates was local to the Boston area and we were even able to meet up in person to discuss what we had been learning. She works with the collections at the Boston Children’s Museum. We bonded over our shared decolonization journey, but also our overall museum experiences, and an interest in knitting. We also discovered a collections link between our respective institutions and could seamlessly begin to support each other in repatriation consultations.

I loved the course.

DAM for GLAM was completely different. DAM = Digital Asset Management. GLAM = Galleries, Libraries, Archives, and Museums. This course walked me through what a DAM is and what it can do for cultural institutions. Basically, a DAM is a system to track the digital surrogates of the physical items in the collection and the born digital materials that derive from them (think image of an item in the collection, a scan of an excavation map, digitized archives, a video of a presentation, or a course catalog). This course was less intuitive for me, but ultimately really valuable as I had previously struggled to even understand what a DAM was.

During the course, we were asked to use the collections that we were affiliated with as examples to answer the teacher’s prompts. As the questions were regularly about data management, access, and use rights, I would always answer them through a decolonizing lens. It was really helpful at times to apply the slightly more abstract concepts from the decolonizing class to something as practical as metadata. It forced me to think about how challenging the data management will be to make digital surrogates available to tribal partners, researchers, and educators.

I made some positive professional connections in that class as well through conversations about digital repatriation. I think I helped some people understand that making digital copies of everything that will be repatriated so that you still have access to a version of the item doesn’t really jibe with the idea of repatriation. If a tribe asks us to destroy digital copies of repatriated items (images or 3-D scans), the Peabody will abide by that request. Their cultural authority does not end at the physicality of the item, it encompasses the totality of the item. I am grateful for the opportunity to conduct these thought experiments and share with others.

While both classes were really valuable experiences, I want to discourage any of you out there from taking two courses at once while working a full-time job… just sayin’…

Peabody Pets

Contributed by Emma Lavoie

Pets have always played an important part throughout history and there is regular evidence of this in the archaeological record. We’ve seen pets as companions, guides, and emotional support animals as well as hunters, messengers, and aids in transportation, security, and various other work.

Many archaeologists have found evidence of pets in their excavations of ancient sites, and some even study the history of pet-human bonding and to find the earliest evidence of these relationships. Some of the most recent sites with pet discoveries include a burial in Lima, Peru, an Ancient Egyptian port site that holds one of the oldest pet cemeteries (about 2,000 years old!), and a discovery of a prehistoric puppy that is about 14,000 years old (making it the earliest evidence of pets.)

May 2021 marks National Pet month and what better way to celebrate than to feature the furry friends of the Peabody’s staff!

Meet Scotty

Here’s Scotty enjoying the New England snow

Scotty is a 6-year-old Australian cattle dog mix, rescued from Tennessee by the Great Dog Rescue New England in 2016. Scotty loves to make appearances in Dr. Wheeler’s Human Origins course, where he guest stars during discussions on dog origins and evolution.

Scotty is named for a number of favorite Scottys. These include Scotty from Star Trek and our own Richard “Scotty” MacNeish. In fact, he is often referred to as Scotty MacLeash!

Scotty’s best friend is his pet-mate, Martin – an orange cat who loves to play and wrestle with Scotty, especially during mealtimes.

The best of friends – Scotty and Martin taking a post-play nap

Meet Banjo

Banjo posing for a picture – just look at those cute ears!

Banjo is a 5-year-old pit-bull mix who loves playing fetch, tug, and snuggling with her family. While she loves a vigorous game of tug, she is super gentle with younger and smaller opponents even letting them win.

Banjo also loves being under a blanket to sleep. She sleeps best at night when a blanket is put on her before bed. If she gets up for a stretch at night, you can find her at the side of your bed waiting until you get up to cover her with a blanket in her bed again. On the rare occasion she would sleep in her family’s bed, she would wiggle down to the bottom and spend all night in a blanket cocoon.

Banjo in bed covered up with her blanket

Meet Rourke

Rourke at the beach

Rourke is a 2-year-old golden (ginger) retriever. There may be some Irish setter in there too. Rourke was named after his family’s old Irish name (O’Rourke.) He loves hiking, naps, and the snow, but his favorite place is the water. He loves the beach and lounging in his very own kiddie pool.

By day, Rourke wrestles with his big Bernese mountain dog cousins, and by night he’s a lap dog. He loves peanut butter and the smell of butter and steak. Fun fact – Rourke has his own way of purring and loved sleeping on the backs of couches before he got too big for it… he might have been a cat in a past life.

Rourke always has his tongue out for a photo

Meet Duncan

Duncan lounging in the grass

Duncan is a 9-year-old German shepherd, chow, and boxer mix who was adopted from the SPCA when he was three months old. He loves running and going on car rides with his family. Duncan’s favorite treats are popcorn and peanut butter. He is super strong and has lots of energy, immediately ripping any toys that he’s given to shreds.

Duncan got his name on the way home from being adopted. His family drove past a Dunkin’ Donuts and the rest was history!

Just look at that smile!

Meet Nimbus and Baz

Nimbus and Baz taking a nap – they’re so fluffy!

Nimbus is a white, Himalayan and Siamese mix. She is about 18-20 years old. Baz is a brown, Maine Coon mix. He is 13 years old. Both love taking naps and are a cosmic duality that govern their family’s daily lives.

Nimbus is noisy and skittish while Baz is quiet and affectionate. These two often seem to be composed of contrary forces, but they usually settle into a détente of furry cuddliness.

Cutshamache and Cochichawick

Contributed by Ryan Wheeler

What is now called Andover, North Andover, and parts of Lawrence, Massachusetts were once Cochichawick. This is the Indigenous name for the place where many of us work and live. The name persists in Lake Cochichewick in North Andover, Essex County’s largest lake. Indigenous leader Cutshamache transferred the land to English colonists, not through a deed, but rather in an agreement ultimately attested before the General Court of the Massachusetts Bay Colony:

At a General Court, at Boston 6th of the 3rd m, 1646 (in the Gregorian calendar, May 16, 1646)

Cutshamache, sagamore of the Massachusets, came into the Court, and acknowledged that for the sum of 6 pounds & a coat, which he had already received, he had sold to Mr. John Woodbridge, in behalf of the inhabitants of Cochichawick, now called Andover, all his right, interest, and privilege in the land six miles southward from the town, two miles eastward to Rowley bounds, be the same more or less, northward to Merrimack River, provided that the Indian called Roger & his company may have liberty to take alewifes in Cochichawick River, for their own eating; but if they either spoil or steal any corn or other fruit, to any considerable value, of the inhabitants there, this liberty of taking fish shall forever cease; and the said Roger is still to enjoy four acres of ground where now he plants. This purchase the Court allows of, and have granted the said land to belong to the said plantation forever, to be ordered and disposed of by them, reserving liberty to the Court to lay two miles square of their southerly bounds to any town or village that hereafter may be erected thereabouts, if so they see cause.

Cutshamache acknowledged this before the magistrates, and so the Court approved thereof, and of the rest in this bill to be recorded, so as it prejudice no former grant.

Enamel pin created in 1895 by John E. Whiting to commemorate Andover’s 250th anniversary, the origin of the town seal featuring Cutshamache. Collection of the Robert S. Peabody Institute of Archaeology.

The story and its protagonist feature prominently in Andover’s 1895 town seal, where we see Cutshamache holding the coat, part of his payment for the land. Cutshamache appears frequently in the seventeenth century records of the English colony in Massachusetts, ranging from his involvement in the Pequot War to skepticism about missionary John Eliot’s preaching (see Drake 1856). Frank Speck (1928:141), in his discussion of the Punkapog Band of Massachusett, mentions that “the name and pronunciation of Kitchamakin or Cutshamekin are still remembered.” For us, his involvement in selling a large portion of Andover, North Andover, and Lawrence to John Woodbridge sometime in the early 1640s is of greatest interest. Local histories, in books, articles, and now online, frequently repeat the story, and tweak it to fit whatever narrative is being told. In some cases, the currency is converted into modern dollars (a pretty complicated exercise), and in other variants, Cutshamache is described as a Pennacook leader (see the Wikipedia entry for the Town of Andover). The latter makes sense, since the Pennacook, helmed by their leader Passaconaway, are associated with the area around Andover. However, Cutshamache does not appear to have been Pennacook, but was rather a Massachusett leader who lived in what is now Dorchester. The General Court statement clearly identifies him as such. But, this is puzzling, since Dorchester is pretty far from Andover. So what’s going on?

Many authors suggest a family connection between Passaconaway and Cutshamache, possibly based on Sidney Perley’s assertion (1912:35), though I have found no primary sources to support this and this suggested link may just be a way to help explain Cutshamache’s involvement in the sale of the Andover lands. Passaconaway does seem to have created alliances through marriage that crosscut ethnicity and relied more on cultural similarities, creating a heterogeneous coalition distinct from the more homogenous Massachusett (see Cook 1976:29; Stewart-Smith 1998:24-25). What’s more intriguing is the sale of Haverhill in 1642 by Native leaders Passaquo and Saggahew required the consent of Passaconaway (in fact, his consent is mentioned twice in the text of the deed). See the original document and transcript on the Essex National Heritage Area website. The General Court acknowledgment of the Andover, North Andover, and Lawrence sale does not mention Passaconaway, suggesting several possibilities. Perhaps Cutshamache’s less formal court appearance resulted in an omission. But, the court statement includes considerable detail, including the preservation of land and fishing rights for Roger and his company, Indigenous residents of the area.

Tile mosaic version of Andover’s town seal in the foyer of the Town Hall by Perley Gilbert and Elias Galassi. Photograph by Ryan Wheeler, February 3, 2020.

Archaeologist Eric Johnson (1999:155), in his book chapter on Native political geography, provides a different way of thinking about Indigenous groups in the area during the seventeenth century that helps inform Cutshamache’s sale of Cochichawick. Johnson says, “What does a map of bounded tribes imply about political organization? It implies stasis and homogeneity, both within and among political units.” He attributes this to the desire of colonial European observers to describe unfamiliar people and places in a familiar way—through the lens of political organization in seventeenth century Europe. This plagues our understanding today—we want carefully delineated maps that show the boundaries of Indigenous lands, matching those of city, county, and state political entities. Johnson (1999:158) argues for a different model to understand the geography of the area that takes into account the dynamic and heterogeneous polities. Further, he suggests that groups in the region consisted of autonomous communities that regularly underwent expansion, contraction, and internal upheaval, depending on a variety of socio-political strategies at play among leaders and group members. Alliances, often transitory, could result in confederacies of autonomous groups, as well as splintering and new alliances. Confederations were based on real and fictive kinship relationships between principal leaders and those of local communities; autonomy of local communities varied greatly depending on the leadership qualities of the principal leader, overall group size, geographic distances between communities, and genealogical connections (Johnson 1999:161). Within this context, Kathleen Bragdon (2009:206-209), in her second book on the Native people of the Northeast, points to connections between Indigenous communities across the region, stating, “linkages between the Pennacooks and Pawtuckets of the Merrimac drainage of what is now northeastern Massachusetts and southern New Hampshire, show connections ranging as far south and east as Natick and Charlestown. Other historical evidence shows marriage ties between Pennacooks and Pawtuckets with Niantics and Wamesits as well.”

Intertribal relations just at the time of European conquest illustrate the linkages that likely characterize the area. After the devastating epidemic of 1619, Indigenous allies of the French raided the lower Merrimack. Passaconaway was the Pennacook sachem at the time. His Pawtucket counterpart, Nanepashemet, was killed around present-day Medford or Malden and his widow assumed the role of sachem. Two of her sons married Passaconaway’s daughters, cementing the Pennacook-Pawtucket alliance. According to historian David Stewart-Smith (1998:24-25), Passaconaway (also called Papisseconnewa) was acknowledged as the leader of Pawtucket, Agawam, and Piscataqua, though each group retained local leaders as well. He explains that it is helpful to think of the larger tribal designations as “aggregations of allied family territories,” including Pennacook, Pawtucket, Massachusett, Nipmuc, and others (Stewart-Smith 1998:28). The divisions were not hard lines, but rather fluctuated with marriages and other connections.

View of Lake Cochichewick from the Brooks School, North Andover Massachusetts, January 15, 2012. John Phelan, CC BY 3.0 https://creativecommons.org/licenses/by/3.0, via Wikimedia Commons

Historian Peter Leavenworth (1999:277) explains the ways in which Pennacook-Pawtucket lands moved into English ownership in the seventeenth century, principally through legal means, but also via violent incursions. He also documents important instances where Indigenous people resisted land loss. Leavenworth describes a violent attack against the Pennacook during King Philip’s War (1675-78), but helps us understand that the extensive transfers of land, through deeds or appearances in the General Court like Cutshamache’s, occurred during the 1640s, following the smallpox epidemic of 1633-34 and decisions by Passaconaway, including the belief that Indigenous people could share land with the English. According to Leavenworth (1999:281), there were serious misunderstandings in terms of what was happening, especially as these more informal land “sales” occurred: English colonists believed they were buying large tracts of land, while the Indigenous “sellers” believed they retained their usufruct rights. This is reflected in Cutshamache’s sale of Cochichawick, which references Roger and his group’s continuing rights to at least some small part of the landscape and fishing rights (check out this interactive map site that shows Rogers Brook in Andover, namesake of the seventeenth century Indigenous inhabitant). Leavenworth also documents an interesting shift in acceptable payment—at first the English were buying land for clothing, tools, ornaments and other trade goods, but apparently by 1650, the Indigenous people of the area would only accept currency. Cutshamache’s sale involves both—6 pounds in money, and a coat (interestingly, an earlier order by the General Court in 1642 directed that a coat be given to Cutshamache, perhaps the coat referenced in the 1646 appearance?).

So, there’s a lot to unpack in Cutshamache’s sale of Cochichawick. Most notable are the traditional cultural patterns that involved seasonal movements, settlement, and marriage that linked widely dispersed groups versus our modern desire to have Indigenous people fit into neat territories that align with historical and modern municipal, county, state, and national boundaries. It’s also impossible to think about this outside the devastating disruptions wrought by European incursions and the attendant diseases and demographic shifts (Strobel 2020:71-75). For example, Daniel Gookin, one of the English colonists, recorded 3,000 Pawtucket men in the earliest days of European conquest, but by 1674, the tribe had been reduced to “not above 250 men.” Within this milieu—traditional Indigenous practices, the disease and disruptions brought by the English, and attempts to adapt—land moved from Native to European hands.

For an Indigenous perspective, check out the detailed histories, timelines, and more on the Massachusett Tribe at Ponkapoag’s website. Here you can learn about the modern day Massachusett, their history, as well as ongoing initiatives, like work on the newly created Massachusetts state seal commission. If you would like to learn more about the Abenaki tribes in nearby New Hampshire and Vermont, start with the website of the Cowasuck Band of the Pennacook-Abenaki. There you can learn about history and contemporary initiatives of the Abenaki, who have close ties to the Native inhabitants of the Andover area.

References Cited and Further Reading

Bragdon, Kathleen J.

2009 Native People of Southern New England 1650 – 1775. University of Oklahoma Press, Norman.

Cook, Sherburne F.

1976 The Indian Population of New England in the Seventeenth Century. University of California Publications in Anthropology Vol. 12. University of California Press, Berkeley.

Drake, Samuel G.

1856 Biography and History of the Indians of North America, from its first discovery. Sanborn, Carter, and Bazin, Boston.

Johnson, Eric S.

1999 Community and Confederation: A Political Geography of Contact Period Southern New England. In The Archaeological Northeast, edited by Mary Ann Levine, Kenneth E. Sassaman, and Michael S. Nassaney, pp. 155-168. Bergin & Garvey, Westport, CT.

Leavenworth, Peter S.

1999 “The Best Title That Indians Can Claime:” Native Agency and Consent in the Transferal of Penacook-Pawtucket Land in the Seventeenth Century. The New England Quarterly 72(2):275-300.

Perley, Sidney

1912 Indian Land Titles, Essex County, Massachusetts. Riverside Press, Cambridge (for Essex Book and Print Club).

Speck, Frank G.

1928 Territorial Subdivisions of the Wampanoag, Massachusett, and Nauset Indians. Indian Notes and Monographs No. 44. Museum of the American Indian, Heye Foundation, New York.

Stewart-Smith, David

1998 The Pennacook Indians and the New England Frontier, circa 1604 – 1733. PhD dissertation, Union Institute, Cincinnati OH.

Strobel, Christoph

2020 Native Americans of New England. Praeger, Santa Barbara CA.

Missing the Meaning – Understanding the Material Culture of Protest

Contributed by Lindsay Randall

Recently I collaborated with Dr. Miriam Villanueva of the Department of History and Social Science at Phillips Academy to create a new lesson that focused on both the American Indian Movement and the takeover of Alcatraz Island in 1969 by Native activists. 

Our focus was to have students understand how Native protests are centered around issues regarding tribal sovereignty, treaty rights, and meaningful intergovernmental consultation. We also sought to highlight how the ignorance of the American public regarding these issues perpetuates misconceptions about these protests while also connecting them to modern issues.

To do this we examined two protest signs; one from the 1969 Alcatraz Occupation and one from the recent Dakota Access Pipeline (DAPL)/Standing Rock protests. 

We asked the students to investigate the two types of meaning perceived in each of the signs: 

1.) the general public’s understanding of the sign. 

2.) the message the originator of the sign intended to convey. 

During the activity the students worked together to create the following interpretations of each of the protest signs we examined, based on other contextual information that we used.

For background information about the Alcatraz Protest

Incorrect Response: Native Americans are welcomed at the Island because it has always been Indian Land.
Correct Response: It is a commentary on how white people have simply taken what they wanted and Native people are now just simply playing by the same rules.

The students came to the conclusion that this particular sign is meant more as a commentary on the method used to claim Native land in the past – and less about saying all land was once Native land – when they read the following passage from the Proclamation written by Richard Oaks and other protesters at Alcatraz.

Proclamation to the Great White Father and All His People

We, the native Americans, re-claim the land known as Alcatraz Island in the name of all American Indians by right of discovery.
We wish to be fair and honorable in our dealings with the Caucasian inhabitants of this land, and hereby offer the following treaty:

We will purchase said Alcatraz Island for twenty-four dollars ($24) in glass beads and red cloth, a precedent set by the white man's purchase of a similar island about 300 years ago. We know that $24 in trade goods for these 16 acres is more than was paid when Manhattan Island was sold, but we know that land values have risen over the years. Our offer of $1.24 per acre is greater than the 47¢ per acre that the white men are now paying the California Indians for their land. We will give to the inhabitants of this island a portion of that land for their own, to be held in trust by the American Indian Affairs [sic] and by the bureau of Caucasian Affairs to hold in perpetuity—for as long as the sun shall rise and the rivers go down to the sea. We will further guide the inhabitants in the proper way of living. We will offer them our religion, our education, our life-ways, in order to help them achieve our level of civilization and thus raise them and all their white brothers up from their savage and unhappy state. We offer this treaty in good faith and wish to be fair and honorable in our dealings with all white men.

Next we turned our attention to the recent protests around the Dakota Access Pipeline and the Standing Rock Sioux community. For background information on the DAPL/Standing Rock protests.

Incorrect Response: The protesters are violent!
Correct Response: The sign is satire and a play on “Kill the Indian, Save the Man” policy.

To interpret this particular sign the students drew upon their knowledge of Indian Boarding Schools that we covered in Fall Term. They remembered the program of “Kill the Indian, Save the Man” that lead to the creation of the Indian boarding schools.

The students thoughtfully came to the conclusion that the protester was mimicking the phrase “Kill the Indian, Save the Man” to imply that if one removes the capitalist nature of the “Pilgrim” (or white man) that the water and environment will be saved.

We then ended the lesson with a group discussion about how these protests are all connected to each other while at the same time connected to sites and ancestors that are thousands of years old. The students also came up with possible solutions to ensure that the public has a better understanding of the reasons behind the protests so that their ultimate goals are not misinterpreted, thus undermining the power of the protest.

The conversations and points that the students in each of Dr. V’s three classes were incredibly thoughtful and perceptive. Both Dr. V and I thought that this was one of our best lessons that we have created because it seamlessly brought together modern and historical issues while engaging students in close reading of primary sources, mirroring the exact process that students are currently working through for their History 300 research papers.

Much of this lesson was based on the amazing work of April Beisaw and Glynnis E. Olin in their article From Alcatraz to Standing Rock: Archaeology and Contemporary Native American Protests (1969-Today)

The Shadow of Scotty MacNeish

Contributed by Marla Taylor

This month marks the 103rd birthday of Richard “Scotty” MacNeish (1918-2001) – past Director of the Peabody Institute, unconfirmed winner of the 1938 Golden Glove award (a regional amateur boxing title), member of the National Academy of Sciences, and all-around remarkable 20th century archaeologist.  When starting to pull this post together, I found this quote describing MacNeish and could not resist including it here:

A strange, bifurcated goatee decorates his chin, and there is a shimmering reddishness about his hair and face. He has spent, literally, more than 20 years in the field — longer than any other archaeologist. He has published more than 400 books and articles. Despite two heart bypass operations, he retains the pounding mental metabolism of a furious shrew. (“Bones to Pick Archaeology” by Richard O’Mara in the Baltimore Sun, May 16, 1996)

Ok, in my first draft of this blog, I listed information about MacNeish’s professional positions and tried to summarize his career.  That turned into something far too long and meandering to share.  So, instead, I will point you to the wonderful short biography from the Peabody Institute archival catalog records and the much more in-depth biographical memoir from the National Academy of Sciences.  I will use this space to highlight his impact at the Peabody Institute and my daily work.

Throughout his career, MacNeish sought the intertwined origins of agriculture and civilization.  He excavated in North America, Peru, Mexico (Tamaulipas, Tehuacán, Coxcatlan, and Palo Blanco), Belize, and China while searching for the early domestication of corn and rice.  Because of this particular interest, the Peabody Institute is home to a number of plant remains and botanical specimens.  Some of these tiny early maize cobs are an important part of a much larger story on the origin of modern corn.  I have a love/hate relationship with these specimen.  They are so fascinating but also so delicate – I want to share them, but decades of storage without climate control have left them brittle.  Gentle handling is required for sure!

MacNeish was also particularly interested in excavating sites that would push back the archaeological framework for understanding when people arrived in the New World.  I think it appealed to his pugnacious disposition to tell everyone else that they were wrong.  His work is proving relevant as Indigenous scholars push to rewrite the archaeological understanding of the Americas.  I love this aspect of MacNeish’s work and hope that more people will come to utilize these collections.

MacNeish kept EVERYTHING from his research and excavations – a double-edged sword for collections management.  This applies less to the object collections (MacNeish was not always allowed to retain the artifacts he excavated in foreign countries) but very much applies to his archivesHis archives include everything from thank you cards to financial records to drafts of publications to excavation images.  With over 100 boxes of archival material, I am confident that I can find the documentation that anyone is looking for – but I am regularly daunted by volume of material.

If all of that wasn’t enough, MacNeish continues to influence how the Peabody Institute’s collection grows.  We recently received archival gifts from his associates Jane Libby and Dr. James Neely documenting their work with MacNeish and beyond.  Once these collections are processed, I will be happy to share the relevant finding aids. Well, I haven’t even mentioned MacNeish’s reputation as a passionately supportive teacher – or what his archives reveal about his feelings toward those who disagreed with him – or his reputation as a flirt.  Alas, we must draw a line somewhere in this conversation.  Clearly there is so much to say about Scotty MacNeish!   I wish I had been fortunate enough to meet him before he passed, but I am fortunate enough to work in his shadow at the Peabody.